Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Wednesday, 8 September 2010

Poetry – a male preserve?


Poetry – a male preserve?

Up to around fifty years ago, most people would have struggled when asked to name a famous female poet. The poetry canon was dominated by figures like the Romantics, (blogged about last week), Shakespeare, Donne and Herbert, Pope, Tennyson and Eliot. Unlike today, only a few women poets ever made it into print or continued to be read after their lifetime.

The achievement of the few that did is therefore all the more remarkable. The work of the Brontë sisters (see August blog), Elizabeth Barrett Browning and Christina Rossetti has continued to speak to new generations of readers. The latter is perhaps less familiar than her contemporaries. She does not have the romance of illicit relationships, or dramatic landscapes attached to her name.

Quietly powerful

Instead, Rossetti lived quietly in London for most of her life, single and dogged by ill health. Yet her poetry is powerful and direct, illuminating friendship and fear, faith and death. Through her individual perspective she touches on a universal experience.

Allusions explained

Many readers today will not be familiar with the social and religious world that Rossetti inhabited, and feel somewhat daunted at approaching her poetry because of this. One of the reasons that Crossref-it.info came into existence was to provide just the kind of help that allows readers to access works of literature peppered with allusions – in this case biblical ones.

Through her poetry Rossetti was opening up many issues close to her heart; it helps to see what she meant when she referred to paths and ladders, blood and brokenness. The brand new guide to The poems of Christina Rossetti will give students and teachers all the information they need in order to fully enjoy her work.

Wednesday, 18 August 2010

Passionate Poetry


Passionate poetry

Reading poetry requires some mental space. We need to be able to resist the demands of a hectic lifestyle and allow the words to penetrate our minds and hearts. So what better time to pick up a volume during the less pressured days of the summer holidays!

The brevity of much poetry means that we encounter ideas and emotions distilled into their purest form. It is powerful stuff, particularly when it speaks of the strongest human feelings.

The poetry of the Brontës

The Brontë sisters are famous for their vivid and tumultuous novels, such as The Tenant of Wildfell Hall, Jane Eyre and Wuthering Heights. But many of the themes and passions we come across in these stories exist in condensed form in the sisters’ surviving poems. It is hard to read, for example, Cold In The Earth and not think of Cathy’s love for Heathcliff which endures beyond the grave.

Another level of interest is added when we find out about the actual lives and loves of the three sisters, and see how they translated the stuff of their daily environment into these moving poems. An ideal way of discovering what they knew and what motivated the Brontës is launched this week at Crossref-it.info. Go to Context links: Selected poetry of the Brontës.

But best of all, find a quiet place on a lazy summer’s day and read these distillations of passion for yourself!

Wednesday, 14 July 2010

Reading novels for A Level: Tess of the d’Urbervilles


Over the summer, students have a great chance to get to grips with the texts they will be examined on the following year. Make the most of it and read for pleasure! Spend indulgent hours with the longer novels (which are harder to fit in later) and be honest about your initial response.

Tess and first impressions

It's difficult not to have strong initial reactions if you are reading Hardy’s Tess of the d’Urbervilles as your Victorian novel (appearing on the AQA and OCR papers). It is a tremendous and passionate story, so let yourself be drawn in.

Many of Hardy's descriptions are very cinematographic, but one of the pleasures of reading is using your imagination to create his descriptions in your mind, and then sense the emotions that come with those pictures. They're your emotions, and they form part of your first impressions.

Imagine it for yourself

Although there are several good adaptations of the novel, it is the words on the page that make the difference. However tempting, don't substitute a DVD for your first encounter with the story. A film controls too many of your responses, and maybe edits out some of the parts you will enjoy most when you read it.

Besides, you need some hours to get acquainted with Tess herself. After all, she is one of English Literature's most iconic heroines. If you find things which puzzle you, there is a discussion of Hardy’s heroine at Crossref-it.info, - but don’t look at this until you have read her story for yourself!

Hardy’s poetry

Tess’s figure of a sensuous woman and the theme of missed opportunities recurred in much of Hardy’s poetry, which also appears on the A Level syllabus. For a way into the mind of the poems’ creator, a new mini guide links you to Hardy and his world. Find it at Crossref-it.info > Context links: Selected poetry of Thomas Hardy.

Thursday, 1 April 2010

Songs of Innocence and Experience - new text guide!


Sorry for a delay in the usual missives. It has been ‘heads down’ time as we get as much ready as possible, to help you do as well as possible, in the forthcoming unmentionables (duh.. exams!).

Poetry help

If you are trying to get to grips with how to identify different styles of poetry – a skill you need for any unseen lit. paper – try checking out the expanding range of articles at www.crossref-it.info > Aspects of literature > Recognising poetic form. In around 300 words each they provide a helpful introduction to some of the standard styles poets have worked within, or adapted to suit their needs.

Songs of Innocence and Experience

Many students will be answering on Blake this summer. Deceptively simple in tone and diction, they actually encompass a range of quite complex themes and ideas. Blake was idiosyncratic in his take on contemporary society, what made humans tick and his understanding of God and faith.

Conventional allusions

It’s not always easy getting to grips with the way poets have drawn on texts like the Bible to convey meaning to their readers. However, over the centuries, and in the face of conventional church teaching, a standard interpretation has arisen. This means that if a writer refers to a shepherd for example, you can be confident that s/he is expecting readers to think of:
  • Caring leadership
  • Practical concern
  • Wise guidance
  • Sacrificial love
  • The call for sheep to follow
All of the above, linked to the person of Jesus, whom the Bible portrays as a ‘good shepherd’.

An unconventional understanding

Grappling with allusions like these gets trickier when the poet doesn’t use such images conventionally. This is often the case with Blake:
  • The Shepherd represents a leader who is alongside, but does not rule his flock
  • His care does not repress or direct the sheep but enables them to live fully as sheep
  • He is full of praise for them rather than demanding obedience from them
  • In fact Blake saw any idea of religious authority as the opposite to his understanding of God, even though it was a consistent theme in the Bible.
The new Crossref-it.info text guide on Songs of Innocence and Experience unpacks each poem without assuming that students know all the background that Blake was referring to. It helps readers see where Blake was in line with his society and where he developed his own unique vision.

If you are starting to revise there are lots of handy questions to focus your notes on, as well as sample essay questions and a worked example.

Meanwhile, best of luck as you get down to the serious stuff!

Monday, 22 June 2009

Poetry - making sense of life

The power of words

After a year’s study of English Lit. I hope you have got switched on to the power of words. Words shape our culture, they define how we think – and when they have been carefully crafted by a poet, they have an amazing power to crystallise an emotion or situation.

The BBC has been running a significant range of programmes in its recent poetry season. One strand is ‘My life in verse’
  • Last week Cerys Matthews (Catatonia) talked about the influence of the poetry and lyrics she heard around her as she grew up, and how that led to her own self expression
  • The week before, Robert Mitchell (Peep Show, Mitchell and Webb) revealed how TS Eliot’s Love Song of J Alfred Prufrock connected with his sense of alienation after the death of his mother
Open up your mind

Now the revision season is over you might want to release the pent up concentration and give space to new thoughts.

Why not check out some poems that are not on your course and let the words and images sink into your psyche.

There are loads on the web to browse through and if you get stuck on any images, you can see if the handy explanations at www.crossref-it.info help make sense of it all.

Let the dynamite of poetry blow you away!

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