Wednesday, 4 August 2010

The pointlessness of tragedy


The pointlessness of tragedy

Productions of Othello

Whenever I see Shakespeare’s Othello I am always struck by how such trivial incidents – like the dropping of a hanky, the repetition of apparently innocent phrases – can result in such a momentous downfall of the protagonist and those around him. Played well, it can be almost unbearable to watch.

Yet there is an appeal to this agony, which is why the play endures and takes new generations of theatre go-ers down its tortuous paths. It is never performed as regularly as Hamlet or King Lear for example, so, if you are studying Othello in the coming year do watch out for these productions:
  • Currently running until 21 August is a (semi) open air performance by Stamford Shakespeare at the Rutland Open Air Theatre, Tolethorpe Hall, Stamford, 15 June – 21 August (01780 756 133 / 763 203). www.stamfordshakespeare.co.uk
  • An interesting adaptation of the Othello story is being done by the Veni Vidi Theatre Company at Lauderdale House, London, between the 10 – 13 August (020 8348 8716).
Getting a fix on the play

Unlike some of Shakespeare’s other plays, which can exist within a world of their own, Othello is set in a specific political situation. Racial and class resentment festers amidst the fears and upheaval generated by armed conflict.

To help you understand this world, Crossref-it.info has this week launched a handy guide tailored to the play, which takes you to all the most helpful sections of the website. Look out for Context links: Othello. If you find yourself studying the play in the coming academic year, this one stop resource will really help you to understand the reactions Shakespeare’s original audience might have had to the tragedy.

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